August 31, 2010

DJ EricB: From The Netherlands to the USA

elWatusi @ 3:53 am

Click here for DJ EricB’s Playlist

“This Playlist is a sampler of tracks that I would use in one of my gigs… it has a little bit of everything for everyone; Classics like Bochinchosa by Joe Cuba and Buenas Noches Che Che by Tito Rodriguez, hard hitting Ol’ Skool Salsa Dura like Amalia las Invita by Hector Rivera and Tu no Haces Falta by Tommy Olivencia, but also contemporary Salsa Dura tunes like DJ’s Sabroso by Wayne Gorbea y Salsa Picante are included. Although the majority of the tracks are Classic NYC Salsa Dura tracks, Latin American countries like Venezuela (Ray Perez), Peru (Alfredo Linares), Dominican Republic (Cuco Valoy) and Colombia (Fruko y sus Tesos) are not left out. Sprinkled with a few nice Cuban tracks like Hablando Como Extranjero by Adalberto Alvarez y Su Son and La Permuta by Giraldo Piloto, this is truly a list catered for the dancers (pa’ los bailadores)…Ahi na ma!

DJ EricB is a native of the Netherlands who caught the Salsa Bug during a trip to Venezuela in 2001. Ever since, DJ EricB has been collecting Latin music and, throughout the years, his collection on both vinyl albums and original CD’s has grown to an extensive musical library. After much persuasion by friends EricB began DJ-ing in the Dutch Latin Scene in 2004, before moving to the USA in 2005.

Often mistaken for a metal rocker because of his long hair or a Hip Hop DJ because of his baggy clothing, DJ EricB got his break in the USA on the Nick Aguire’s Salsa Dura show, where he was able to show a wide audience how he rolled with Classic Salsa Dura. Since then he has played the beats for crowds at Latin events all over Maryland, Virginia and Washington DC and his ability to adjust his music to cater to any kind of crowd has made him a favorite on the Latin scene on the East Coast.

DJ EricB specializes in Old Skool Mambo, Cha-Cha and Guaguanco, and has become been a regular spinning at Salsa/Mambo Socials in the Washington DC Metro area, but also keeps the dance floor hopping at many mainstream Latin venues and Cuban/Timba events.

We are delighted that DJ EricB has joined the elWatusi family of the World’s Best DJs!


email: ericb(at)ericb.nl
http://www.ericb.nl
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Hard Salsa

August 29, 2010

Peliculas Gratis Nº 14: Earliest Gilberto Santa Rosa?

elWatusi @ 1:42 am

The lead singer here is none other than el Caballero de la Salsa, Gilberto Santa Rosa. Could this be the earliest video of the salsa superstar? If you know of an earlier one, send us the link and we’ll post it!

August 26, 2010

Artist Mini Bio – Tommy Olivencia

elWatusi @ 1:44 am

Puerto Rican-born Tommy Olivencia (1938-2006) began as a singer, but preferred the role of trumpeter and musical director. After organizing a combo in 1957, he created his first band in either 1959 or ‘60 (accounts vary), recruiting the revered sonero Chamaco Ramírez (1941-1983) around this time. Tommy released his early recordings on his own Tioly label. He signed with Pedro Páez and Jorge Valdés’ Inca Records label in the mid-’60s and remained with them until 1978. Fania acquired Inca at the beginning of the ’70s following the death of Páez. Chamaco did two stints with Tommy (1957-1971 and 1974-1976). His last recording with the band was 1975’s bestselling Planté Bandera (Inca) featuring a remake of his emblematic hit composition "Trucutú", originally recorded for Trucu-Tú (1962), Tommy’s first album on his Tioly label. Heavy drug addiction destroyed Chamaco’s health and he died shortly after releasing the 1979 solo set Alive and Kicking (Inca). After leaving Inca, Tommy made eight albums for TH (Top Hits) Records (which became TH-Rodven in 1987, then dropped TH in 1993) and one for Capitol / EMI Latin in 1991. After a seven year hiatus he made one more album for Rodven in 1998 before celebrating his 40th anniversary with a live 2-CD set in 2001 on AJ Records. For nearly half a century, Olivencia’s band acted as an incubator for various notable salsa singers, including Paquito Guzmán, Lalo Rodríguez, Marvin Santiago, Gilberto Santa Rosa, Frankie Ruiz (1958-1998) and Héctor Tricoche. – John Child
discography

Peliculas Gratis Nº 13: Juancho Herrera Trio at Martin’s

elWatusi @ 12:39 am

After years of musical experiences with world music luminaries such as Lila Downs, Claudia Acuña, Marta Gomez, Sofia Koutsovitis among many others, jazz, world, experimentalist, singer and guitarist Juancho Herrera crafts his own high energy grooves from South America and the Caribbean. Juancho and his trio play at Terraza Cafe (Elmhurst, NY) the last Sunday of each month, and is worth the trip. An additional video is up on our friend Martin Cohen’s Congahead site.

August 19, 2010

Artist Mini Bio – Snowboy

elWatusi @ 11:55 pm

He has been the cornerstone for the British and European Latin jazz scene for over fifteen years. His live act is a powerful band called The Latin Section with whom he has recorded nine albums, and toured the world. Snowboy is also a vinyl fiend and resident DJ at the Hi-Hat at North London’s Jazz Cafe. It is here that lovers of la musica buena gather on a monthly basis to dance to the rawest, and rarest Latin gems ever put to wax, and see some of the best Latin jazz, and Brazilian bands from around the world. As a prolific DJ on the UK’s jazz dance scene throughout the late 1970s and 1980s Snowboy went on to take percussion lessons from top Latin jazz musician Robin Jones. After teaming up with many musicians he established himself as a band leader and in-demand session musician – Acid Jazz records provided Snowboy with a platform for his first full length Latin Section recording “Ritmo Snowboy” in 1988. In conjunction with their numerous releases Snowboy and the Latin Section toured the world from Scandinavia to Singapore, Japan, Australia, Hong Kong and most of Europe. Snowboy has also toured with other projects as percussionist for Lisa Stansfield, Basia and the James Taylor Quartet. His heavy schedule as a session musician has taken him to play on the Johnny Carson, Arsenio Hall and Dave Letterman shows with the above mentioned artists. At the height of the UK jazz dance movement (around 1994) Snowboy and the Latin section hit the UK independent charts, his “Something’s Coming” album nestling in the Top 10, right next to Depeche Mode and The Smiths.
discography

August 18, 2010

Salsa-Central Reviews elWatusi.com

elWatusi @ 11:15 pm

Writer Torqueo of the salsa review site Salsa-Central.com just posted a terrific review of our site, saying…

As well as the music, there are a multitude of playlists from some top Salsa DJ’s and Collectors (incl Colombias DJ El Chino, DJ Duste from Sweden, and Germany’s DJ Dave to name but a few), Musicians and others, as well as interviews and blogs. It’s easy to lose a few hours just browsing around the site. The whole site is excellently laid out with good navigation and search, everything’s easy to find and there are some real gems available.

Thanks, Torqueo!

August 17, 2010

One Motivated DeeJay …Nice Shirt!

elWatusi @ 10:15 pm

We love DeeJay Dave from Germany, and I guess he loves us too! Pictured below is Dave wearing a gorgeous t-shirt of his own making! That’s right, folks, he’s such a great fan of elWatusi that he created his own line of elWatusi wear! We are very flattered! Keep it going DJ Dave …you’re looking way cool!

elWatusi.com Welcomes the Ubiquity-Cubop Catalog

elWatusi @ 8:40 pm

UbiquityWe are delighted to include the Ubiquity catalog from the California. With start-up capital of one thousand dollars and little knowledge of the record business, the Luv N’ Haight record label (named after the Sly and The Family Stone song) was launched. In 1993 the company incorporated as Ubiquity Recordings releasing an instant hit-record from a then unknown DJ called Greyboy.

Since then Ubiquity has grown into a company with several imprints: Luv n’ Haight remains the home for re-issue of rare groove gems with close to 60 releases, CuBop (the stuff you’ll find on elWatusi) is the Latin jazz arm with just over 40 releases, and Ubiquity has over 250 releases ranging from hip-hop to funk to electronic music. With a worldwide distribution network, and around 350 releases the label is constantly striving to live up to its name, Ubiquityoriginally chosen because the label wanted to make unheard music available everywhere.

In 2005 Ubiquity moved its main HQ and warehouse to Costa Mesa, while Vice-President Andrew Jervis stayed in the Bay Area to handle A&R and oversee operations. Nowadays Ubiquity releases are available in digital format on the labels own site as well as all major digital outlets worldwide.

We are delighted to include the Ubiquity catalog from the California. CuBop (the stuff you’ll find on elWatusi) is their Latin jazz arm with just about 40 releases by names like Bobby Matos, Francisco Aguabella, Jack Costanzo, Papo Vazquez, Snowboy (pictured left) and many others.



Click for the Ubiquity-Cubop catalog of titles.

August 13, 2010

Artist Mini Bio – Willie Rosario

elWatusi @ 4:30 pm

Puerto Rican-born bandleader, timbales player, composer and producer Willie Rosario formed his own four-trumpet and rhythm section band in New York in 1958 and recorded the respected El Bravo Soy Yo for Alegre in 1963 produced by the label’s founder Al Santiago, followed by five albums on BMC, Atco and Musicor between 1963 and 1968. According to Santiago, Willie added baritone sax to create his trademark four trumpet / baritone sax frontline in 1967. "Willie has excellent taste in picking material, sidemen, vocalists and arrangers," wrote Santiago in 1978. "The band is well rehearsed and tight, brassy but always with authentic rhythms. He prefers progressive arrangements but still maintains a típico sound." In 1969 Willie signed with Inca Records, co-owned by Cubans Pedro Páez (a meat market owner from Miami) and Jorge Valdés, and made a series of seven albums (including a compilation) for the label between 1969 and 1978. After Páez died, Fania’s Jerry Masucci acquired Inca, so apart from Willie’s first album for the label, El Bravo De Siempre, the rest were recorded while Fania was in charge. During his tenure with Inca, Willie relocated to Puerto Rico in 1972, but continued to record in New York until the mid-’70s. Willie hired José "Junior" Toledo to provide lead vocals to his fourth Inca outing, 1973’s Infinito, which he regards as his favourite album. Willie considers Toledo, who died in 1990 due to drug addiction, to be the best singer to have performed with his orchestra. After completing his Inca contract, Willie recorded a string of albums for TH (Top Hits) Records, Bobby Valentín’s Bronco Records (the first three for the label are amongst his finest), NRT (a division of Musical Productions), Tiffany, J&N / Sony and other companies. Toledo recorded a total of five albums with Willie between 1973 and 1979 before departing to make El Run Run and Se Fugarón with Guillo Rivera, another former Rosario vocalist, and the solo project Cuando Vivas Conmigo during the 1980s. In addition to Toledo and Rivera, those who graduated from Willie’s band over the last 50 plus years include singers Frankie Figueroa, Primi Cruz, Tony Vega and Gilberto Santa Rosa, pianist Alfredo Rodríguez (1936-2005), trumpeter / musical director David "Piro" Rodríguez and trumpeter, arranger, composer and producer Humberto Ramírez. discography
- John Child

August 11, 2010

A Charanga Weekend in Miami

elWatusi @ 1:48 pm


An elWatusi.com exclusive, reported by Andy Harlow

It began with the much anticipated Friday night (July 31) concert by Orquesta Aragon, in the heart of Little Havana, at The Miami Dade County Auditorium, and ended Sunday afternoon (August 2) with the second annual Reunion De Los Charangueros at La Carreta Restaurant in Hialeah.

As Cuba’s most famous and most popular Charanga orchestra, Aragon has been touring world-wide the last fifty years as musical ambassadors of their island home. Over the years, they’ve performed dozens of times in the USA, but never before in Miami. Here in Miami, where emotions run very high, Aragon has always been considered to be politically incorrect by the powers that be. Radio wise, their music has been on the no-play list for years (with the exception of WDNA and a few other stations). Yet, they have always been held in the highest esteem by the young and old, musicians and music lovers y el pueblo en general aqui en Miami.

Over the past few months, Miami has hosted live performances by Los Van Van, The Afro-Cuban All-Stars, Charanga Habanera, Elio Reve y Su Charangon and Pupy Pedroso. The Van Van concert got some local media coverage and a few protesters showed up, but nothing like the old days.

I, personally, have waited a long time to see Aragon perform. The one and only time I did see them, was in the summer of 1962; it was Mambo Night at the Raleigh Hotel, in South Fallsburg, N .Y. The Aragon I saw then featured Richard Egües on flute and Rafael Lay on Violin, and to this day remains as one of my fondest musical memories, equal to those of seeing, live, Miles Davis, John Coltrane, The Rolling Stones at MSG, and being at Woodstock.

This current version of Orquesta Aragon is a combination of some old and newer band members. I was especially impressed by their tight vocals and the five violins that were completely “ in-tune” both harmonically and rhythmically. The flutist, sorry but I didn’t get his name, is a monster. The nearly sold out concert hall was filled mostly with middle aged Cubans. (You could count the gringos in attendance on one hand.) It was an evening of continuous Cuban nostalgia. Politics were left at home.

Front man, Rafael Lay Jr. worked the crowd perfectly. Not much blah-blah. He thanked the audience for their applause and said how happy they were to be performing in Miami for the first time. To his left was Ernesto Bacallao Jr., another second generation Aragonian. They opened the show with “Suavecito” and it was non-stop Aragon oldies from then on; “Sabrosona,” “Los Tamalitos De Olga,” “Manuela No Me Pelea,” “Cachita,” “Suavecito” and “La Reina Isabel” followed.

Rafael Lay Jr., Aragon's musical director

Marcelino Gonzalez

From the very first number, the audience was up on their feet, dancing in the aisles. There was no attempt by concert security to control the non-stop dancing or the use of video and digital cameras. (YouTube and Facebook videos are already on-line). The concert sound mix was perfect. You could hear every guiro scratch and violin pluck, as well as all of the other instruments and voices.

After a brief intermission, Rafael Lay introduced Rene Lorente, their former flautist, who now resides in Miami. He sat in for “El Jardinero Del Amor” and returned a little later on for “Pare Cochero.” Prior to that, violinist Marcelino Gonzalez, ( one of five violinists) received a standing ovation for his extended solo on “Tres Lindas Cubanas.”

They closed the show with a medley of “Nosotros” and El Bodeguero” and for a encore did a burning version of El Paso De Encarnacion.” Unfortunately, I was not able to get the names of all the band members, but I salute all of them.

The 2010 version of Orquesta Aragon definitely keeps the tradition alive.


My Charanga weekend ended with the second annual Reunion De Los Charangueros, The reunion was originally put together by Flautist Mike Garcia and singers Gene Hernandez and Felo Barrio, all ex-Nuyorquino Charangueros, who now reside in South Florida. The first reunion was held about a year ago and about eighty people attended; mostly charanga musicans, their families and friends.

Ivan and Eddie Zervigon, Andy Harlow and friends

Thanks to the YouTube videos of last year’s reunion, and word of mouth, this year’s event drew a capacity crowd of over two hundred and fifty people from all over the U.S.A. and Puerto Rico. As the word “reunion” implies, there were lots of hugs and handshakes and greetings as old friends reunited. The cameras were constantly flashing, as group after group gathered and posed. After a short welcoming speech and a video presentation of some classic charanga clips that included videos from last, year dinner was served. (There was also an open bar all afternoon which further added to the festive spirit)

The music began with the debut of Gene Hernandez’s new band “Salsa Clasica,” It’s a conjunto styled band with trumpets and tres. They did a swinging set that included Gene’s new single “El Cubanazo” and a nice arrangement of his composition “Isla Del Encanto.” Eddie Zervigon sat in on flute and Charlie Santiago was there in timbales and Felo Barrio jumped in to do coro. The dance floor was packed from the very first note.

Vocal luminaries: Gene Hernandez and Felo Barrio

The Charangueros took to the stage next …all of them en mass! There were so many great musicians present, some of whom I knew and others I didn’t know….so forgive me, fellow charangueros, If I fail to mention y’all by name! The personnel varied from song to song. We jammed on such charanga classics as “Bilongo”, “Los Tamalitos De Olga”, “Tres Lindas Cubanas”, “Pare Cochero” and “Kikiriki”.


Eddie Zervigon and Eddie Aguirre

Highlights of the jams included some great violin solos by both Federico Britos and Gerardo Agillon, Vocals by Felo Barrio and Pepe Mora and the flute work of Mike Garcia, Eddie Aguirre and Hector Nieves. There were so many great percussionists on stage and back stage, you needed a scorecard. The final jam tune, Kikiriki” ended with about eight timbaleros going at it, soloing one after another.

Hopefully, someone will post some video of the reunion. I managed to take a few photos of both Aragon and the reunion which are attached.

This past weekend proved that Charanga is still alive in Miami. It may require some life support, but it’s still alive!!

Andy Harlow
Miami, Florida
aharlow@webbox.com

(Andy hosts Fusion Latina on www.wdna.org every Monday & Tuesday night from 8-11PM EST)
Check out Andy’s elWatusi.com Charanga Time Playlist

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