December 16, 2011

The Return of Manito

elWatusi @ 9:12 pm



The famous Panamanian singer and band leader Jaime “Manito” Johnson had played with the orquestas of Victor Paz, Armando Boza and Maximo Rodriguez before he formed his own group “Los Diferentes.” In 2002 he realized a recording titled “Panamá.” His son Jaime jr. set up a studio for recording it and they had a bunch of first class musicians participating… well, things went complicated and this recording was never released. Includes the bolero “Hilda” which is Manito’s favourite and the “Murga” influenced “Panameño-Panameña.” – Evelyn Raetz

Jaime Johnson Jr., Manito’s son, tells us the story of how this album came to be made:
Well if you ask me for some anecdotes about this album I may tell you some as I do remember all this as if it has been today.

One particular fact is that my initial idea was to record an album as an homage to my father and so I asked him if he agreed to sing and record after more than a decade had passed since he left the musical scene and his reply was a very happy: “Of course!”

The essence was already there: his voice and so the next step was to contact Roberto Delgado, musical director of Ruben Blades’s album “la Rosa de los Vientos” which had been released the year before and Roberto at once got together the musicians who would accompany Manito on this project. As a matter of fact I first had thought in Panamanian musicians to participate but the line up Roberto got us was just amazing and so we changed the plan and now had:
Rafael Torres and Toñito Vazquez, the Puerto Rican trombonists who had played for the Fania label, Furito Rios and Encarnación “Chegui” Rodriguez on saxofone we had Mauricio Smith, imagine this – an old time friend of my father …when we were finishing the recording he was in Panama for a workshop led by Cutito Larrinaga, so he showed up at the studio and said: “I have to be part of this and play on this album”… well, we asked ourselves, where and how to include him and he picked the “en la Soledad” piece and plays the tenor sax there – this beautiful sax line you hear there is him and an even bigger surprise was when we asked him for how much we owed him his response was: “for your father it is a special honour for me to play, just go and ask him what experiences we share, he is a close friend of mine…”

Jaime “Manito” Johnson – Voz y lider
Rey Cruz – Timbales
Oscar Cruz – Congas
Dino Nugent - Piano
Roberto Delgado, Director músical, bajo y coros.
Raúl “Toto” Rivera, Bongo, percusión menor
Juan “Wichy” Lopez – Trompeta
Faustino Sanchez – Trompeta
Rafi Torres – Trombon
Toñito Vasquez – Trombon
Jose “Furito” Rios – Sax alto, tenor
Cheguito Encarnacion – Sax tenor, baritono
Roberto Delgado - Coros
Henry Gorgona – Coros
George De Leon – Coros
Rene Cabrera – Coros
Luis Arteaga, Coros
Valeria Obando – Coros
Lolo Ledezma, Coro Panameño, Panameña
Westy Valdez – Bateria
Mauricio Smith – Solo sax
Elian – Voz remix

Manito Johnson Y Su Orquesta: Panama

December 15, 2011

DJ Dave’s Navidad En El Barrio Revisited

elWatusi @ 8:58 pm


Yomo Toro as Santa, Willie Colón & Héctor Lavoe as his elves, and a surprisingly happy victim.
Is that 39 cents per gallon of gas? Wow, that would be a true Christmas miracle today…

DJ Dave and elWatusi.com wish all of our friends a warm Seasons Greetings this holiday, and a music filled 2012 as well. Here’s a fine selection of classic Salsa Navideña, culled from the vaults of the elWatusi Download Control Center. A nice exclamation mark is the addition of Patato’s “Felice Navidad.” Enjoy the chart!

Take a listen

December 9, 2011

Meet Ray Santiago, Hero of NYC Salsa

elWatusi @ 8:56 pm



Who is Ray Santiago?
Glad you asked. Ray Santiago is a veteran New York-based pianist-composer-arranger whose rootsy, essential, salsa is of the most authentic Latin music to come out of this city, period. He was a founding member of the legendary group Saoco and has collaborated with Henry Fiol. His salsa has effectively captured the flavor of lower East Side NYC Afro-Latino soul. Our friend Chico Alvarez has said “His style, hard-driving yet tasty, is sure to satisfy any fan of straight-ahead Cuban dance music.” Damn straight. This is the real deal. Meet Ray Santiago. – elW



Ray Santiago albums now on elWatusi.com…

RAY SANTIAGO
Afro Cuba a La New York City (2004)

In the tradition of, say, Grupo Folklorico y Experimental Nuevayorquino, Ray Santiago, a fixture in the New York scene, likes to blend grooves from Africa, Cuba and Puerto Rico with the soul of the city. There is no fancy post-production engineering here, just pure, gritty New York style salsa. Jose Mangual Jr. on bongos and with Mr. Santiago and Julian Llanos on vocals. Special guest Henry Fiol, coro on “Asohano.”
Santiago does not offer new releases that often – his last, “Pa Que Nadie Me Olvide,” was almost a decade ago, so pay attention, folks. “Afro Cuba A La New York City” is as straight forward and honest a project as they come. The grooves it generates are full of life and beg for us to partake in the pleasure they offer. I, for one, am a grateful participant. New York used to be full of small late-night clubs that housed local bands that sounded kind of like this. Not any more. And because of that, this album is small gem. Highly recommended. – elW


RAY SANTIAGO
Latin Up (2008)

Take the tasty, hard-driving piano playing and earthy direction of Ray Santiago, add the seasoned voice of Julian Llanos [who sang with the likes of Arsenio Rodríguez, Cortijo, and Héctor Rivera] and you get a gritty, very New York Latin dance and jam band that could go all night. Ray is not afraid to mix it up, offering unexpected tempos and montuno variations. Listen to his near turbulent treatment of the standard “Besame Mucho” as it morphs into a jazzy descarga. In fact, most of Santiago’s arrangements bear, at the very least, the suggestion of going descarga on you. Here are musicians who are trained to think on their toes, and, if the stars are aligned just right, the swing goes where it takes them. Listen to it happen on “Amparame,” and on “Oya Diosa” too. There’s almost a Senegalese feel to “Lucha Por lo Tuyo,” the opening track, what with its extended montuno, gritty sax and luxurious electric guitar (Frank Morin) riffs. There was a time when, on any given Friday night, you might stumble upon small clubs featuring bands like Conjunto Libre, The Fort Apache Band, Cruz Control, or Wayne Gorbea. Ray Santiago’s band fit right into that scenario. He exudes the best of what was more common back in the day, mixing up the colors of Puerto Rico, Cuba, Africa and the diaspora with nuances of jazz and improvisation. This is true, rootsy, down-home New York Latin club music. With Kenneth Burney (congas), Nelson Burgos (bongo, percussion), Wataru Ochida (Saxophone), Yagil Barras (bass), Steve Gluzband (trumpet) and others. Highly Recommended. – elW