RAY LUGO & THE BOOGALOO DESTROYERS
| Mi Watusi
Editor’s Pick: Best of 2011
On this album, Ray’s repertoire consists of classics from the likes of El Gran Combo, Willie Rosario, Ray Barretto, and Mongo Santamaria though Ray has re-arranged some tracks and added new lyrics and choruses to others. From the opening track ‘Soy El Rey Del Boogaloo’ to the final song ‘Lugo’s Boogaloo’, this album proves that in the 21st century, boogaloo is still alive and kicking in New York City and Ray Lugo & The Boogaloo Destroyers are the leaders of the new school! (label)
SANTIAGO ALL STARS | Joya y Rareza
Editor’s Pick: Best of 2011
You want swing? We have it for you. But first, think of the best salsa you’ve heard lately. Where was it from… New York? Colombia? Cuba? Venezuela? Now let me suggest you take a good, hard, listen to the Santiago All Stars from Chile led by percussionist Jorge “Turco” Hasbun. Their just-released Joya y Rareza is, without doubt, one of the best salsa autentica releases I have come across lately, and it quickly shot to the top of our short list for Best of 2011. The album is a salsa dancer’s dream record, packed with rich, spot-on grooves and filled to its core with savory trombone honey with the help of José Antonio Pino, Raúl Silvestre Olivares, Héctor “Parquímetro” Briceño and Jaime Fredes Serrano. The arrangements make reference to old school classic salsa, and the liners credit influences like Willie Colón, Ray Barretto, Eddie Palmieri, and Larry Harlow. But it’s a modern record, and the tracks are brought to their full, sparkling, potential by singer Fabian Rosales and guests. Very special guests. How’s about the great Jimmy Sabater and a supremely smokin’ Bochinchosa – a track that also features the esteemed pianist Ricky Gonzalez!?! How’s about the great Frankie Vazquez on an equally fiery Oye La Noticia? There’s also a terrific Si Me Vas A Abandonar composed, and sung, by Buddy Richard. Baño De Mar a Media Noche, sung by Cecilia Pantonja, is yet another gem and one of my favorites. Listen, also, to Jorge Hasbun’s percussive sabor on tracks like Sabroso Guaguancó. Lovely. And man, that Forma La Rumba Sonero (Fabian Rosales/Jonathan Rosales) morphs into an iconic combustible descarga that is more than worth the price of this album alone. Yes, it’s that good. But wait, there’s more. Hasbun ends the album with yet another descarga jam, aptly named Descarga Santiago. This jam, with its hooks that conjure the magic of Cachao, Fania and Tico-Alegre All Stars, is pure icing on a devils food cake spiked with rum. Sweet, savory, and intoxicating. That’s how I like it. By they way, the project was mastered by the legendary engineer (Fania) Jon Fausty! Don’t sit there, press that button. This is one special record, and …Very Highly Recommended – elW
TROMBORANGA SALSA ORQUESTA | Agua Que Va Caer Editor’s Pick: Best of 2011
Listen up, folks. Tromboranga is the new salsa group organized by the supremely talented percussionist Joaquin Arteaga, the same force behind Barcelona’s highly regarded
Bloque 53. This aggregation, though, leaves the vibes behind. Instead, way up front is a trio of super dynamic trombones that harken to the glory days of salsa: Conjunto Libre, Lavoe-Colón, and, as Arteaga astutely points out, the Venezuelan heavies Ray Pérez and Dimension Latina.
Agua Que Va Caer is a three track gem that is a generous taste of things to come, specifically the full album due out in January 2012. I’ll tell you this much: after hearing this three track appetizer you will be starving for the main course. This is amazing stuff that channels the pure essence of salsa. A superb effort that nails it. Very Highly Recommended. – elW
LA TROPA | Un Nuevo Aire Editor’s Pick: Best of 2011
Brand new 2011 release from Colombia’s esteemed Orquesta La Tropa led by singer Jorge Murillo “Kiny.” This unpretentious blast of old school trombone-based
salsa clasica is just what the doctor ordered. Hard driving tumbaos and moñas await you on
Un Nuevo Aire. This is superb stuff, with singers Murillo and Juan Llanos adding just the right amount of fuel to the fire. With trombonists Leo Morales, Oscar Mayer and Richard Estela. With original tracks like
Arroz Con Perico and
Salsamania peppered with classics like Mon Rivera’s
Lluvia Con Nieve. There’s also an updated version of the venerable
Bilongo. This one is on my current short-list for Best of 2011. Very Highly Recommended. –
elW
LA CALI CHARANGA | 25 Años – Transición
Editor’s Pick: Best of 2011
Celebrating their 25th Anniversary, the acclaimed Colombian salsa and charanga orchestra has released Transicón – 14 pristine tracks that will be sure to get the dancers moving. Led by timbalero Julián Gil Rojas, this orchestra swings hard. Has that pure Orchestra Broadway and De La 4 feel. Sizzling violin and flute riffs and strong arrangements by Rojas and trombonist Edgardo Manuel P. make this one special. Transición is one of the best new releases of the year thus far. Highly Recommended. – elW
LOS CHARLY’S ORCHESTRA | The Latin Edition
Editor’s Pick: Best of 2011
Nuyorican Disco Band, Los Charly’s Orchestra has put together this very special edition of boogaloo, 70’s salsa & Latin funk. Stirring the melting pot, the multicultural congregation of Los Charly’s Orchestra (lead by Juan Laya & Jorge Montiel) takes it on a brand new venture, searching back into the spectrum of Afro-Latin fusion, featuring a new version of the forgotten classic – “Jumping with Symphony Sid” (originally composed by the legendary Joe Bataan) plus a Boogalooish/Swinging/Latin track called: “My Barrio”. In between some of the guest musicians featured on this release: Uk Neo Soul singer “Andre Espeut” and Salsa singer: “Elpidio” from Colombia joining the regular team of Los Charly’s Orchestra for this Latin-Funk experiment. Andre Espeut Vox Elpidio Alegria: Vox Matheus Nova: Bass Wilmer Sifontes: Percussion Keys & Piano: Joe Thomas Trumpet: Chris Webster & Paul Batik Trombone: Chris Webster & Tony Trombony Produced by Juan Laya & Jorge Montiel for Imagenes.co.uk Recordings. Here is what people are saying:
*”Don’t like it……I LOVE IT!!!!!! They sound like 1966 New York boogaloo/latin soul! My Barrio” is the best boogaloo I’ve heard in modern times….” (DJ Lubi Jovanovic / International salsa DJ & CD compiler Fania/Nascente/Feestyle)
*”Good stuff! Really Like it!!!” (Cal Jader / Movimientos)
*”This is AMAZING!, completely nailed it” (Chris Greenwood / Bonanza) *”Excellent stuff” Paul’ABBO’ Abbott – Starpointradio *”I like it a lot! – 70’s Latin … – NME.COM
AGÜIRI YO | Óyeme a Mi!!!…
Editor’s Pick: Best of 2011
El objetivo fundamental del espectáculo es llevar al público nuestra música de rumba experimental, mediante los arreglos con los metales incorporados a nuestra agrupación de la tradición Folklórica Yoruba, modernizando los distintos géneros.” Basado en estos conceptos, este grupo ha sido creado con el objetivo de hacer un trabajo musical con la diferencia de sonido, logrando un sello distinto que los caractericen en el género de la rumba.
The fundamental goal of our shows is to bring our style of experimental rumba to the audience, through brass arrangements added to the traditional Yoruba folk lineup, modernizing at the same time the two musical styles. Based on these concepts, the group was created with the idea of producing music with a different sound, with a characteristic hallmark that would set them apart from other artists of the rumba genre… (label)
8 Y MAS…! | Que Mas
Editor’s Pick: Best of 2011
Oomph! New York salsa is back, big time, and it’s called 8 y Más! This city’s best players decided to show the world some muscle, and they ain’t kidding. Produced by Bobby Allende (congas), Marc Quiñones (timbal) and Arturo Ortiz (piano), who make up the core rhythm section here, this absolute gem of a release has been anticipated for some time. In fact, it has been five years since their previous release, the hugely successful sizzler
Juega Billar. And while the esteemed Frankie Vazquez starred as lead singer then, this time around we have the equally amazing Eddie Rosado. Guest singers include former Conjunto Libre member Herman Olivera (“Llanto de Cocodrillo”) as well as Eva Ayllón (“Saca la Mano”). While there is a smattering of original compositions here — check the swing and groove on the Willie Torres composition “Dices Que Tu Bailas” — the team takes on some iconic classics like Willie Colón’s “Timbalero” and the Eddie Palmieri/Ismael Quintana anthem “Puerto Rico.” Also with bassists Jose Tabares and Ruben Rodriguez, trombonists Pablo Santaela and Victor Baro, trumpter Maneco Ruiz. The coro section is filled out with Willie Ruiz, Johnny Rivera, Grizel Del Valle, in addition to Rosado, Ortiz, Quiñones and Allende.
Now this is exciting: Salsa just doesn’t get better than this, folks. Very Highly Recommended. – elW
YUBÁ IRÉ | ¡Ya Está! ¡Se Formó!
Editor’s Pick: Best of 2011
Founded in 1998 in Puerto Rico, the sole mission of Yuba Iré is to interpret the diverse folkloric music of the Afro-Caribbean. And while the core of their material is clearly rumba and folklore Cubana (guaguancó, yambú, columbia, palo), their repertoire does cast a wider net by encompassing the folklore of Puerto Rico and elsewhere. Sicá, yubá, cuembé, holandé, seis corridos as well as la plena, güiro, bembé, abakuá and comparsa are performed at their live performances as well. Directed by percussionist
Hector Calderón Torres, Yubá Iré is also made up of
Diego Centeno, Jose Camara, Victor Emmanuelli, Edgardo Hernandez, David Atanasio, Paoli Mejias, Felipe Del Valle, Samuel Gascot and others. With clarity of vision and a soul of fire, Taller Folklorico Yubá Iré walks a path that is inhabited by the spirit of Yoruba Andabo, Los Muñequitos de Matanzas, Grupo Afro Cuba, Paracumbé and the Familia Cepeda. Pretty good company. (label)
BIO RITMO | La Verdad
Editor’s Pick: Best of 2011
Of all of the working salsa bands today, there are only a few who transcend the conventions established 40 some odd years ago. Bio Ritmo is one of those few post-modern orchestras that turn things a bit sideways. With arrangements that stretch and twist, creative use of electronics, a bit of swanky boogaloo, retro-cool and surreal organ riffs, a touch of dance-trance-world-funk, they mash it all up. Think Eddie Palmieri’s trombone based La Perfecta, throw in a bit of James Bond, shades of Zappa’s Hot Rats instrumentalism, and, although they might wink at the knowing listener, they jam like hell. They’re smart, but definitely not at the expense of the music: very hip, and very danceable. There are gems here, especially the pristine “Dina’s Mambo,” but it’s all primo stuff that should be at the top of your grab bag. Salsa modernism at its very best. DJ Alert and Very Highly Recommended. – elW
CARLOS CASCANTE Y SU TUMBAO | Hablando En Serio
Editor’s Pick: Best of 2011
Hablando En Serio, the new release from singer Carlos Cascante is here: a dimensional, multi-colored work that can be appreciated on many levels. With compositions arranged by pianist Julio Jauregui, this is
significant salsa for discerning listeners. The rich history of Afro Cuban music is conjured here, and it both informs and enhances the experience. Note the flow from the folkloric
Mi Rumba to the jazzy salsa
Maria Esther, which then glides into the smoking guajira
Tragedias. How ’bout a Brazilian bossa interpretation of the iconic Celia Cruz anthem
Usted Abuso? Cascante brought in guest singer Makela Romero to handle the vocals on this unlikely – and gorgously successful – track. With other guests, too, including Luisito Quintero, Paoli Mejias and others. Clearly a front-runner for Best of 2011, this one, folks, is a must have. Very Highly Recommended. – elW
PAULO FG | Sin etiqueta
Editor’s Pick: Best of 2011Here’s the album that several timba websites have declared Album of the Year!
There is no adjective or phrase for Paulo FG, so they decided to leave it … no label (sin etiqueta). BisMusic presents the new album by Paulo FG. “Sin etiqueta” means open, honest, and nothing labels me. Says Paulo, “There are people who walk through life, win, up and change. I’m still the same, keep the essence and that’s important. The Cuban flag is the great symbol that I have as an artist, where you are, anywhere in the world is mine, that sense of belonging and that presence in me of my fans and my country.”
Paulo FG won several awards from the popular program “Salsa and Timba” of Peru, in the “Best Male Artist” and “Best Album of the Year” for “Sin Etiqueta” and several awards in the categories of “Best Group of the Year” for grouping and “Best Song of the Year”, with “Yo sigo siendo”. Paulo FG has received
Fiesta Cubana awards for “Best Singer” and “Best Album of the Year” for “Sin Etiqueta”, and wins recognition for “Best Song of the Year” for the cover track here. (label)
MARCO TORO Y SU ENSAMBLE | Activo En La Jugada
Editor’s Pick: Best of 2011
Sizzling jazzy salsa y mambo release with heavy swing from one of Holland’s hottest Latin orchestras. Led by percussionist Marco Toro, this big band features four-star singers like Gustavo Gerardo, Angel Flores, Marcial Istúriz, Nando Vanín and Javier Plaza. Also with renowned percussionist Roberto Quintero. It includes the bonus track
Recordando A Manny Oquendo. Highly Recommended. – elW
GREGORIO LAZA CORDOVÍ | Cuidado con la presión
Editor’s Pick: Best of 2011
Gregorio Laza “Cordoví” is a very highly regarded sonero par excellence. His involvement with such eminent groups as Chappottín y sus Estrellas, Orquesta América, Machado y su Estrellas or La Charanga All Star, speaks for itself.
He has been a star vocalist in over 200 productions, and this is his second, anxiously-awaited production, “Cuidado con la Presión.” It features a highly unusual brass section of four trumpets and a baritone sax, that enhances the voice of Cordoví, which will surely make it a huge hit. It’s 24 carat, a mix of salsa and guaracha, with a playful and picaresque repertoire, which tell the story of present day Cuban society. (label)
JERRY GONZALEZ Y LOS COMANDOS DE LA CLAVE
Avísale a mi contrario que aquí estoy yo
Editor’s Pick: Best of 2011
Avísale a mi contrario que aquí estoy yo is the new
album by
Jerry Gonzalez, the New York trumpeter and conguero who currently fronts a group called
Los Comandos de la Clave.
The album is Gonzalez’s fourteenth as a soloist and front man, but the first with the new label founded by
Diego El Cigala,
Cigala Music. It and others were presented on 17 November at Casa America in Madrid, as a result of an agreement with Warner Music to release projects that link flamenco and Afro-Cuban sounds.
The album is a little gem in which Gonzalez has had free rein to bring out the rich vein of “Central Park Rumba” (a popular tradition dating back to the 1970s) and includes the participation of
Alain Pérez on bass,
Javier Massó “Caramelo” on piano and
Enrique Ferrer “Kiki” on drums, who just have to be swept along by the energy of their leader for everything to flow in its natural environment. The title track is sung by
El Cigala, providing a texture that in Spain sounds great but in America could be defined as exotic. This album is the highest point of
Jerry Gonzalez’s second life, which began in 2000 when he settled in Madrid to explore flamenco close to its roots. It has not always been easy, of course, due to various circumstances, many of them personal. In fact, it would not have been for anyone, much less for a man who had left everything behind: fame, awards, money and a huge talent for Latin jazz; as well as an illustrious history: Paunetto, Palmieri, Gillespie, Totico, Hanrahan, Oquendo & Libre, and his faithful
Fort Apache Band.
Gladyspalmera.com
FAY ROBERTS Y SU ORQUESTA CHARANGOA | Lo Que Quiero Es Charangoa
Editor’s Pick: Best of 2011
Yum… One of the hardest-driving charanga orchestras playing today, flautist
Fay Roberts and her Orquesta Charangoa have just released a smoking album that will make your toes curl. Roberts studied under the legendary
Richard Egües, of Cuba’s Aragón fame, and the flute master helped to initiate what might be the purest and most essential charanga organization in the US. At times a churning locomotive, at times sublime,
Lo Que Quiero Es Charangoa has that rare transformative power to create a state of sensory euphoria. This, folks, is a
Must Have.
Very Highly Recommended. – elW
WILLIAMSBURG SALSA ORCHESTRA | Williamsburg Salsa Orchestra
Editor’s Pick: Best of 2011
The WIlliamsburg Salsa Orchestra is an 11-piece group playing big Latin arrangements of indie tunes that we love. With an ever-evolving set list that includes songs by Arcade Fire, The Yeah Yeah Yeahs, Yeas, LCD Soundsystem, Animal Collective, TV On The Radio, Peter Bjorn and John, Japanther, and many more, the WSO will make a salsa-believer out of you! And if you love salsa, but you’ve never delved into the ultra-creative world of independent music, you’ll want to explore these groups and learn where the great melodies and lyrics originate. Led by percussionist/arranger Gianni Mano, (from the Brooklyn Latin-funk legends Radio Mundial), the WSO contains some of the best young players on the scene including a full compliment of horns and percussion. With the attitude of a rock band, and the grooves of classic New York salsa, the Williamsburg Salsa Orchestra is introducing salsa to a new audience and resetting the boundaries of the art form.
“If only everything that shouldn’t work, worked this well!” – The Village Voice
“AMAZING, Pick of the Week” – Remezcla.com
“This dance party is a hoot!” – TimeOut NY
LUCKY 7 MAMBO | Chapter 1
Editor’s Pick: Best of 2011
Oomph! What a pristine and heavily swinging vibes-based based salsa, mambo and jazzy boogaloo project. This one brings to mind the best of the Joe Cuba / Jimmy Sabater / Cheo Feliciano collaborations of the ’60s and ’70s. A modern take on the classic sounds of the golden age of Latin dance music. Vocalistas
con estilo George Luis Balmaseda, Johnny Crespo and Victor Muñiz are backed by some heavy hitters like bassist Rene Camacho (who has worked with Jack Costanzo, Bobby Matos, Jazz on the Latin Side All Stars, Susie Hansen…) pianist Joe Rotundi (Bongo Logic, Caravana Cubana, Pete Escovedo), bongocero Kevin Ricard (The Tonight Show Band, Kenny Logins, Lionel Richie… ), conguero/percussionist Joey De Leon (Orestes Vilato, Poncho Sanchez, Alex Acuña, Jazz on the Latin Side, John Santos) and percussionist Angelo Rodriguez (Chino Espinoza and a ton more) and others. This is the kind of project we wait for here at elWatusi. Take a listen to the groove on
Por Falta De Compresion …the essence of
sabor. On
Chata Kun Kun Victor Muñiz gives props to dozens of iconic influences. After hearing
Chapter 1 we predict that future bands will be giving their props to Lucky 7 Mambo.
So, don’t just sit there… download this gem right now! Very Highly Recommended. –
elW
CHOCO ORTA | Choco Swing
Editor’s Pick: Best of 2011
Choco Orta never ceases to amaze us: here is a killer capital “S” salsa project, produced by the esteemed Rei Peña with musical direction by the great Willie Sotelo (also on piano here). This project reaffirms Orta’s position as the top Salsera-Sonera to contend with, at the very least within the US and Puerto Rico. Her team features the ultimate rhythm players in PR: conguero William “Kachitro” Thompson, timbalero Rafael “Tito” De Gracia and bassist Pedro Pérez. And the not-too-shabby coro section fills out with Jerry Rivas, Henry Santiago and Rei Peña. Just listen “Cuidate de la Lengua,” or “Homenaje A Las Soneras” to get a sense of Orta’s heart of fire …a sonera truly inspired. Since Celia’s death I really can’t think of anyone who has really stepped up. Granted, they are big shoes to fill. Choco, we like your resumé: Go for it.
Very Highly Recommended. – elW
PENYA | Penya EP
Editor’s Pick: Best of 2011
Penya’s debut EP reflects a rare breadth of musical vision informed by years of experience in a multitude of different genres that include Latin American, film music, folk, classical and rock. Each member of the band brings live, acoustic performances of real musicianship to illuminate the journey that Penya takes the listener on. The vocals in Penya’s colourful and vibey travelogue come in the form of Angelica Lopez. Hailing from Cartagena, on Colombia’s Caribbean coast, Angelica brings a unique combination of the ethereal with the earthy – think Kate Bush meets Celia Cruz.
Kicking off the release with
Aqui, a blistering slam dunk original with a contemporary Cuban swagger, Angelica throws down Penya’s calling card. The band then neatly side steps over to the great American songbook for an atmospheric and grooving rendition of Romberg & Hammerstein’s
Softly As In A Morning Sunrise. In
Eres Indescriptible, Sonia Slaney’s lush violin frames a soft, lyrical bombshell in the form of Angelica’s self-penned ode to obsessive love. Beyonce’s ballad
Brokenhearted Girl provides another vehicle for Penya’s transforming zeal. The somber mood of the original is morphed into a feisty reggaeton/salsa infusion with Middle Eastern percussion, granting Angelica license to ramp up the emotional charge. (label)
GERARDO ROSALES – AFRO CUBAN JAZZ QUINTET | Chano Pozo’s Music
Editor’s Pick: Best of 2011
Chano Pozo is one of a handful of Cuban percussionists who came to the United States in the 1940s and 50s. Other notable congueros who came to the U.S. during that time include Mongo Santamaria, Armando Peraza, Francisco Aguabella, Julito Collazo, Carlos Vidal Bolado and Modesto Duran. Pozo moved to New York City in early 1947 with the encouragement of Miguelito Valdés, and participated in a recording session with Valdés, Arsenio Rodríguez, Carlos Vidal Bolado and José Mangual. In September 1947 he featured with Dizzy Gillespie’s Big Band at Carnegie Hall and subsequently on a European tour. Their notable material includes “Cubana Be, Cubana Bop” (written by George Russell), and “Tin Tin Deo” and Manteca (song), both co-written by Pozo. (label)
DOCTOR STEREO | La Cumbia Perdida
Editor’s Pick: Best of 2011
“La Cumbia Perdida” is a nice little piece, based on the percussion-heavy Colombian cumbia of Discos Fuentes beginnings (think the breaks of Los Teen Agers, Pedro Laza, Climaco Sarmiento, Sonora Cordobesa, etc) so it pretty much falls into the same category of Frente Cumbiero’s release, but with a much cleaner, as in less excessively over-layered production style. Very different from the average ñu-cumbia that’s been coming out of Argentina since the Zizek boom. I haven’t played it in my sets yet, but I’m leaning more towards playing the remix on the b-side because it has the addition of some Afro-beat guitar that makes it delightful.
http://latinbutcool.blogspot.com
LISANDRO TORRES Y SU ORQUESTA | Creencias
Editor’s Pick: Best of 2011
Nothing but
hardcore salsa. The orchestration is of 2 trumpets, 2 trombones and a baritone sax; with the vocals handled by Efren Avellaneda (ex-
Bailatino), Eloy Rios, Gustavo Gerardo EL Pirata (Orquesta
Sabadonga), Alexis Martinez (
Dimension Latina) and guest appearance by
VAN LESTER who sings on the track
Puro Sentimiento. Produced by Francisco Requena, Steve Guasch & Lisandro Torres.
Very Highly Recommended! – elW
ORQUESTA CHANGÜÍ | Había Que Hacer Algo..
Editor’s Pick: Best of 2011Oomph! Here’s a superlative changüi-timba-salsa release from, Puerto Rico(!). One of the hottest and funkiest releases we’ve heard in quite a while,
Había Que Hacer Algo… should be on your short-list of must-have dance releases this year. The brainchild of pianist and arranger Eliud M. Vazquez, there is enough electricity packed into this one production to power New York City for an entire summer. With terrific singing by Luis Ojeda and Migdoel Vazquez. An unexpected gem, with swing, fiery salsa and jazzy, high-octane timba to keep the party going and going. PR timba was once considered something of an anomaly. Well, here’s Orquesta Changüí to set the record straight. Highly Recommended. – elW
SONIDO CRIMINAL | Crime Payz
Editor’s Pick: Best of 2011
Pow! 2011 starts off right, packing a one-two power-punch. Here is
sizzling hard core salsa dura featuring young singer Carlos Mojica, who attributes his influences to old school Fania era singers like Ismael Rivera, Hector Lavoe, Pete “El Conde” Rodriguez, Tito Allen, Ray De La Paz, Ismael Quintana, Chamaco Ramirez and Justo Betancourt. Mojica has seen some serious action, sharing the stage with Ismael Miranda, Brenda K Starr, Luisito Carrion, Hector Tricoche, Lalo Rodriguez, Tito Puente Jr. and Johnny Polanco Y Su Conjunto Amistad. Referencing the classic Lavoe-Colón “Crime Pays” album is sure to generate some skepticism. But a single listening to this bold debut will remove all doubts. Check out
Rumba En El Cielo – just one example of the dancefloor burners here, and you will see just why
Crime Payz. A big DJ Alert. Very Highly Recommended. – elW
