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Labels
August 8, 2011
elWatusi @ 5:35 pm

Colombia’s DJ El Chino, compiler of the popular Salsa Word Series albums, has taken on a new role… that of digital distributor. The entrepreneurial disk jockey (Luis Felipe Valero) has begun to digitally represent some excellent salsa bands that might not have otherwise had the exposure they deserve. El Chino’s catalog starts with three titles: Venezuelas Nico Monterola y Su Orquesta Renovacion Mi Creación, Colombia’s El Clan De Eskina’s Salsa Para Bailar y Escuchar, and, also from Colombia, the self-titled Calibre Orquesta. Each one of these titles is a salsa gem.
  
January 5, 2011
elWatusi @ 10:58 pm

elWatusi recently caught up with busy Seattle-based musician and label owner Steve Guasch, who was kind enough to sit for an impromptu interview. Steve’s label, Salsaneo, has been an elWatusi favorite since its inception. The label focuses on high calibur salsa, mostly from Venezuela, and includes bands such as Sabadonga, La Negramenta, Julito Fernandez, and Steve’s own Nueva Era. Steve talks about why he started the label, and what we have to look forward to…
Steve, where are you from and what kind of music has influenced you?
I was raised in Santa Juanita in Bayamon, PR, since I was 4 years old, but I was born in New York’s Lower East Side of Manhattan. The music that I first heard were the LP’s from my father: the Early Fania recordings, Barreto, Harlow, Bobby Rodriguez, Machito, Libre, Charlie and Eddie Palmieri, Ruben Blades and Willie Colón, Alegre All Stars, …I can go on forever. But when it came down to singers, Lalo Rodriguez’ El Niño el hombre El Sonador el Loco LP was the single moment that mezmerized me: everything he recorded prior to his romantic era was superb. I knew then that I had to make music that meant and said something meaningful. Also the great Tite Curet Alonzo’s compositions are amazing and were, and still are, a great inspiration.
How would you describe the musical sensibility of Salsaneo, if there is one?
Salsaneo Records is looking to find artists that want to create music that doesn’t follow the same formulaic concepts, same linear arrangements, we love salsa gorda and thats what we are looking for. However this doesn’t mean that we are not going to release salsa romantica. The arrangement need to be good quality, as well as the singers. There is room for all genres. Latin Jazz will also be represented.

Why did you start Salsaneo Records? Did you think that a certain market was not being addressed?
I started the label to distribute my own album Siguiendo La Tradicion back in 2006, because of my frustration trying to find a label, and to handle the distribution of my own work. But, as a salsa fan, I’m always out there trying to find the next salsa gorda album out of Venezuela, as I always liked their sound and their soneros. There were very few albums coming out and lots of music was, and still is being, recorded and not released because of the lack of labels that would take a chance on an unproven and not internationally known artist. The fact that we are working with Venezuelan artists doesn’t mean that it is only country we want to work with. We are open to any artist that is creating quality salsa, no matter what country they are from.
How do you discover the music you released on Salsaneo? Do you travel to Venezuela often?
Thanks to Francisco Requeña in Venezuela, who is my partner and the owner of Estudios Requeña. His studio is responsible for recording and mixing the three albums from the Venezuelan group Bailatino, Joel Uriola Desde el Principio, Cheo Navarro’s Tributo al Ayer, Soneros de la Calle, Gonzalo y Los Principes de la Salsa, Oquesta Sabadonga and La Negramenta, just to mention the most recent.
Requena is the filter of talent, as he operates his recording studio he comes across a lot of talented singers and groups and sends me their demos for my consideration. If we both like it, we either produce their album or simply distribute them through our digital and physical licensing agreements. I was in Venezuela last February and in October. Our intention is to at be able to visit Venezuela at least 3 times per year.

You are a musician yourself. Does that make it easier or more difficult to manage a label? What are some of the difficulties you face on a continuing basis?
I think that being a musician it makes it a little harder to filter talent, because as a musician I’m very hard on myself, and now I’m a little hard on the artists that are being considered. We want to produce music that we believe in. It’s not easy to manage and play, but I love doing this and it makes all the difference. I want the world to discover this great music. If we are successful we keep the flow of good music to the world!

Do you recommend this business model?
Yes I recommend it because our business model is in favor of the artist and I think, like us, there will be other labels that will follow in the future. We are entering in licensing agreements that benefit the artists as they remain owners of their work, and we enter in exclusive digital and physical CD’s licensing agreements as well.
How you suppose technology affects a small label?
It affects us in good and bad ways. Obviously technology enables piracy, but I also lets us be known and we can reach places we otherwise would not reach. But our small overhead allows us to continue this quest. I’m doing this for the love of this music, and our goal is to grow and be an option to independent bands to get their music distributed. Hopefully, in the future, people can mention Salsaneo Records as the Salsa label from Seattle, a label that delivers quality salsa.

What can we expect of Salsaneo in the future? And of Steve Guasch?
We hope that Salsaneo Records grows and to be mentioned among one of the best in the world. I’m working on a new album for Orquesta Nueva Era, and it’s schedule to be released in January. This time around I’m doing a salsa project, with no Latin jazz this on this session. I’m trying to do different things as I don’t want to keep doing the same album over an over again. We have invited guest singers from Venezuela as well as our regular singers Joe De Jesus and Eddie Quintero on vocals. After that release we are going to start working on a new release from Guaschara!
Anything else you would like to add?
Salsaneo Records will also be releasing new projects from Oscar y Joan, Steve Guasch y su Nueva Era, a Orquesta Sabadonga follow up album, and much more, so stay tuned. If you would like to submit your demo’s you can contact me at sguasch@msn.com or Francisco Requeña in Venezuela at frequena76@hotmail.com.
Thank you all that have supported our label, and look forward to more great music from Salsaneo Records.

December 16, 2010
elWatusi @ 10:50 pm

Barbés Records is a new label associated with the Brooklyn club of the same name. Its focus, which mirrors that of the club, is on original and idiosyncratic approach to tradition. Be it Balkan, Latin, Americana, Klezmer, Jazz or pop music, its mission really is to put out music that seems to have artistic relevance to the people producing it.
Barbés features terrific material like The Roots of Chicha, Juaneco y Su Combo, Very Be Careful and Chcha Libre.
Click for the Barbés catalog of titles.
elWatusi @ 10:42 pm

Welcome to iASO Records – Music for the soul! iASO specializes in Latin & World music. All our music is recorded the original way: LIVE, which makes it fresh and soulful. The LIVE recording permits band members to communicate and build off of each other. We also use no time keeping device (click-track), which means that in our recordings, the tempo of a song can change slightly in different parts of a song – depending on mood – thus permitting a nuanse of musical expression not practically obtainable in track by track recording.
iASO represents some amazing Dominican music: Puerto Plata, Joan Soriano, Bachata Roja and more.
Click for the iASO catalog of titles.
elWatusi @ 10:38 pm

Cumbancha is a new record label founded by Jacob Edgar, an Ethnomusicologist and music producer who for the past eight years has been the head of music research and product development at famed independent record label Putumayo World Music. It has been Edgar’s job to travel the world in search of exceptional artists and songs for Putumayo’s critically acclaimed and commercially successful compilations of music from all over the globe. Over the years, Edgar kept coming across artists he felt deserved wider recognition and assistance in bringing their music to the world stage, and he decided to form Cumbancha to address that need. “I believe exposure to music from different parts of the world can help open a doorway to other cultures,” insists Edgar. “Listening to music is an excellent way to make a connection with people who are very different from yourself, and it can create a common ground that overcomes some of the barriers that separate people of different walks of life.”
Cumbancha represents Ska Cubano, Novalima, Sarazino, Luisa Maita and more…
Click for the Cumbancha catalog of titles.
November 17, 2010
elWatusi @ 4:13 pm
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We are delighted to include the Blanott catalog from Tomas Einarsson.
The Icelandic bass player/composer Tómas R. Einarsson (1953) studied with classical bass players in Reykjavik and in Copenhagen 1980-84 and has since been one of the most active jazz musicians in Iceland, performing mainly with his own groups, as well as visiting soloists (a.o. the late Chet Baker and Kenny Drew).
He has recorded 13 records with his own music and performed at several European jazz festivals, The Kongsberg Jazz Festival, Berliner JazzTage and the Glasgow Jazz Festival, to name a few, and in 2006 his Latin group performed both at Moscow´s main jazz venue, Le Club, as well as in the historical Casa de la Amistad in Havana.
His first Latin jazz record was Kúbanska, recorded in 2002. American critics had praise for the music: “It´s a funny thing, all of this Latin Jazz coming from such remote places. But when it´s played that well, who cares?” (C. Michael Bailey: All About Jazz). In 2003 he went to Cuba to record the album Havana, which received two prizes at the Icelandic Music Awards. Einarsson´s next Latin release was Romm Tomm Tomm, recorded in 2006 in Reykjavik and in Havana´s EGREM studios, with 14 musicians. It was welcomed in Iceland by both critics and record-buyers; the Cuban critic Ricardo Alonso Venereo praised the energy and the supreme skill of the musicians (El Habanero 21/11 2006) and Peter Watrous, a critic of jazz and Latin music in the New York Times, called it “a beautiful, weird hybrid out of the Cuban diaspora.” (Descarga.com 6/2 2007)
Two of Einarsson’s tunes appear on the compilations DJ El Chino’s Solar Latin Club Vol. 1, and Putumayo Presents Latin Jazz, where Einarsson is the only European included, in a company of people like Tito Puente, Machito and Ray Barretto.
A remix album of Einarsson´s Latin music was released under the title RommTommTechno. The participants were from Iceland, Britain, Germany and the US and include Moonbotica, Mark Brydon (Moloko), Matthías MD Hemstock, Tom Pooks, Hólmar Filippsson, Namito, Thor, DJ Margeir and people from the Icelandic bands GusGus and Trabant.
More recent albums include Live! and Trúnú, both available via the link belowl.
Click for the Blanott catalog of titles.
October 30, 2010
elWatusi @ 6:59 pm
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Some very cool stuff from Venezuela’s Palacio label has just been made available on elWatusi. Federico, Dimas Pedroza, Wilman Cano and, one that I find extremely interesting, Las 4 Monedas, a vintage pop family group that were pioneers of Venezuelan ska and reggae. Very hip stuff.
Click for more…
 
 
October 17, 2010
elWatusi @ 9:02 pm
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We are delighted to include the Muziq catalog from New York.
Muziq Inc. Records was founded in 2004 by Ernie Acevedo, President, Angelo Gonzalez, Vice President and Jr. Rivera, Assistant Vice President. Muziq Inc. Records emerged after Conjunto Imagen had recorded several releases with the recording labels J&N Records and Platano Records. After the record business started to decline, record companies were extremely hesitant in producing new recordings. This was our opportunity to start our own label.
After producing our first release under the Muziq Inc. Records label, we decided to open
our label to other artists, such as Ralphy Santi (Todavia Tengo Ansia ), Frankie Morales and Mambo of the Times Orchestra (A Toda Velocidad), CharanSaIsa (Para Bailar Y Gozar!) and Jenny Colon (Ahora Sí ). Muziq Inc. Records is venturing into releasing recordings not only of the Salsa sound, but also Merengue, Reggaeton, Hip Hop and Rap as well.
Click for the Muziq catalog of titles.
September 17, 2010
elWatusi @ 4:53 am

We are delighted to include the Casabe catalog from Puerto Rico. Dedicated exclusively to the music of Puerto Rico, this record label’s main purpose to “preserve, nurture, and document the music expressions of our people.” Founded by the renowned Puerto Rican musician, William Cepeda, Casabe Records has the goal of “cultivating and taking care of our traditions, so that the Puerto Rican music continues to evolve, and it is recognized and enjoyed internationally.” William Cepeda has put a lot of interest, musical experience, academic knowledge and artistic vision in this project, with the purpose of “helping our people feel proud of its heritage and its music. We want to conquer our people with music.” – William Cepeda
Casabe currently represents works by Cepeda’s own folkloric and jazz groups, as well as respected bomba y plena practitioners Hermanos Ayala, Don Félix Aduén, Grupo Esencia and others.
Click for the Casabe catalog of titles.
August 17, 2010
elWatusi @ 8:40 pm
We are delighted to include the Ubiquity catalog from the California. With start-up capital of one thousand dollars and little knowledge of the record business, the Luv N’ Haight record label (named after the Sly and The Family Stone song) was launched. In 1993 the company incorporated as Ubiquity Recordings releasing an instant hit-record from a then unknown DJ called Greyboy.
Since then Ubiquity has grown into a company with several imprints: Luv n’ Haight remains the home for re-issue of rare groove gems with close to 60 releases, CuBop (the stuff you’ll find on elWatusi) is the Latin jazz arm with just over 40 releases, and Ubiquity has over 250 releases ranging from hip-hop to funk to electronic music. With a worldwide distribution network, and around 350 releases the label is constantly striving to live up to its name, originally chosen because the label wanted to make unheard music available everywhere.
In 2005 Ubiquity moved its main HQ and warehouse to Costa Mesa, while Vice-President Andrew Jervis stayed in the Bay Area to handle A&R and oversee operations. Nowadays Ubiquity releases are available in digital format on the labels own site as well as all major digital outlets worldwide.
We are delighted to include the Ubiquity catalog from the California. CuBop (the stuff you’ll find on elWatusi) is their Latin jazz arm with just about 40 releases by names like Bobby Matos, Francisco Aguabella, Jack Costanzo, Papo Vazquez, Snowboy (pictured left) and many others.
Click for the Ubiquity-Cubop catalog of titles.
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